(7) And even things without life.--The pipe and harp were the best-known instruments, and the principle just laid down of the inutility of sounds unless they be distinctive is illustrated by reference to them. Whether it was a harp or a pipe which was being played you could not know unless each gives a distinct sound of its own. The point here is not, as the English seems to suggest, that there must be a difference in tune, so as know what is being piped or harped--that illustration comes in in the next verse--but that each instrument has its own peculiar sound.
Verse 7. - Even things without life giving sound. Even musical instruments - flute or harp - dead instruments as they are, must be so played as to keep up the distinction of intervals, without which the melody is ruined and the tune is unrecognizable. Much more is this the ease with the human voice.
"How sour sweet music is, When time is broke and no proportion kept!" The indiscriminate use of the tongue is here compared to the dissonance of jarring and unmodulated instrumental sounds, In harmony there must be due sequence and intervals of sound.
14:6-14 Even an apostle could not edify, unless he spoke so as to be understood by his hearers. To speak words that have no meaning to those who hear them, is but speaking into the air. That cannot answer the end of speaking, which has no meaning; in this case, speaker and hearers are barbarians to each other. All religious services should be so performed in Christian assemblies, that all may join in, and profit by them. Language plain and easy to be understood, is the most proper for public worship, and other religious exercises. Every true follower of Christ will rather desire to do good to others, than to get a name for learning or fine speaking.
And even things without life giving sound,.... He instances in things inanimate, that have neither reason, sense, nor life, in musical instruments, and these of various sorts:
whether pipe or harp; wind music, or hand music; either that which is blown with the breath, or pressed or stricken with the hand:
except they give a distinction in the sounds; or "tunes", so as one may be discerned from another; as that this is such a musical note, and that is another:
how shall it be known what is piped or harped? what tune is played; such an use of instruments would be a mere jargon, and not music, and so yield no pleasure to the ear, or mind; and just the like must speaking in an unknown tongue be, to one that understands it not.
"How sour sweet music is,
When time is broke and no proportion kept!" The indiscriminate use of the tongue is here compared to the dissonance of jarring and unmodulated instrumental sounds, In harmony there must be due sequence and intervals of sound.
whether pipe or harp; wind music, or hand music; either that which is blown with the breath, or pressed or stricken with the hand:
except they give a distinction in the sounds; or "tunes", so as one may be discerned from another; as that this is such a musical note, and that is another:
how shall it be known what is piped or harped? what tune is played; such an use of instruments would be a mere jargon, and not music, and so yield no pleasure to the ear, or mind; and just the like must speaking in an unknown tongue be, to one that understands it not.