(6) When David was returned.--The triumphant return of the young soldier does not refer to the homecoming after the death of the giant, but to the close of the campaign which followed that event. Evidently a series of victories after the fall of the dreaded champion--perhaps spread over a very considerable period--had for a time restored the supremacy of Israel in Canaan. In this war, David, on whom after his great feat of arms the eyes of all the soldiery were fixed, established his character for bravery and skill.
Singing and dancing.--This was on some grand occasion--probably the final triumph at the end of the war. The Speaker's Commentary, on the English rendering "singing and dancing," remarks that "the Hebrew text is probably here corrupt, and suggests that for vau, 'and,' we ought to read beth, 'with' and that then the sense would be to sing 'in the dance,' or 'with dancing.' The action was for the women to dance to the sound of the timbrel, and to sing the Epinicium with strophe and antistrophe as they danced and played." (Comp. Exodus 15:20-21; Judges 11:34.)
We know that music and song were originally closely connected with dancing. David, for instance, when a mighty king, on one great occasion in Jerusalem actually himself performed dances before all the people (2 Samuel 6:14; 2 Samuel 6:16). (See Note on Exodus 15:20.)
Verse 6. - When David was returned from the slaughter of the Philistine. Or more probably, as in the margin, "of the Philistines." The allusion is not to the combat with Goliath, but to one of the expeditions referred to in ver. 5, in which David had gained some decisive victory. The women would not have described the slaughter of one champion as the slaying of ten thousand, nor would there have been any contrast between this act and the military enterprises of Saul. Probably he too would have looked with indifference upon this Oriental exaggeration of the daring bravery of a boy; but what galled him was David's continual success in repeated campaigns. The Philistine means the whole people of that name; and as the war between them and Saul lasted all the days of Saul's life, and was his main kingly work, he saw with envy the rapid growth of David's reputation; and when, after some noble achievement, the women gave David an ovation, and declared in their songs that he had achieved a success ten times as great as Saul, an outburst of ill feeling was the result. Saul suddenly became aware that the young captain on whose shoulders he had devolved the chief labours of the war had supplanted him in the popular estimation, and hatred took the place of the good feeling which he had previously entertained towards him. The women came out of all cities of Israel... to meet king Saul. It is evident that this refers to some grand occasion, and probably to the conclusion of a peace between the two nations. The battle in the valley of Elah was probably followed by several years of warfare, during which David developed those great military qualities which made him subsequently the founder of the wide empire over which Solomon reigned. It was unendurable for Saul, himself a great soldier, to find, when the war at last was over, that the people recognised in his lieutenant higher military qualities than they had discovered in himself. With tabrets. See on 1 Samuel 10:5. With joy. As this is placed between the names of two instruments of music, it must mean some kind of joyous shouting or singing to the sound of their tabrets. With instruments of music. Hebrew, with triangles, a very ancient but effective instrument for an outdoor procession accompanied with dancing.
18:6-11 David's troubles not only immediately follow his triumphs, but arise from them; such is the vanity of that which seems greatest in this world. It is a sign that the Spirit of God is departed from men, if, like Saul, they are peevish, envious, suspicious, and ill-natured. Compare David, with his harp in his hand, aiming to serve Saul, and Saul, with his javelin in his hand, aiming to slay David; and observe the sweetness and usefulness of God's persecuted people, and the barbarity of their persecutors. But David's safety must be ascribed to God's providence.
And it came to pass, as they came,.... The armies of Israel, with their commanders at the head of them:
when David was returned from the slaughter of the Philistine; either from the slaughter of Goliath, with his head in his hand, going to Jerusalem, and Saul accompanying him; or rather from the slaughter of the Philistines at some other time, the singular being put for the plural; since, according to the order of the history, this seems to be done after David was brought to court, and had been made a captain, and had been sent out on military expeditions, and had been successful therein, and from one of which he now returned:
that the women came out of all the cities of Israel; through which they passed:
singing and dancing; as were usual after great victories obtained, and deliverances wrought, the female sex being generally greatly affected with such things; since when things go otherwise they suffer much, and their fears rise high in time of battle; and when victory goes on their side, it gives them great joy, and which they used to express in this way:
to meet King Saul; the commander-in-chief, with his other officers, and David among the rest:
with tabrets, with joy, and with instruments of music; with pipes or flutes, which they both blew with their mouths, and played on with their hands, and other musical instruments exciting joy; the last word is, by the Targum, rendered,"with cymbals;''and so the Septuagint version; it signifies a musical instrument of three cords, according to Kimchi; and others, as Ben Gersom, understand it of principal songs, in which things wonderful, excellent, and honourable, were spoken of: see Exodus 15:20. Such sort of women were among the Romans called Cymballatriae and Tympanistriae (t), who shook the cymbals, and beat upon tabrets and drums at times of rejoicing.
Singing and dancing.--This was on some grand occasion--probably the final triumph at the end of the war. The Speaker's Commentary, on the English rendering "singing and dancing," remarks that "the Hebrew text is probably here corrupt, and suggests that for vau, 'and,' we ought to read beth, 'with' and that then the sense would be to sing 'in the dance,' or 'with dancing.' The action was for the women to dance to the sound of the timbrel, and to sing the Epinicium with strophe and antistrophe as they danced and played." (Comp. Exodus 15:20-21; Judges 11:34.)
We know that music and song were originally closely connected with dancing. David, for instance, when a mighty king, on one great occasion in Jerusalem actually himself performed dances before all the people (2 Samuel 6:14; 2 Samuel 6:16). (See Note on Exodus 15:20.)
when David was returned from the slaughter of the Philistine; either from the slaughter of Goliath, with his head in his hand, going to Jerusalem, and Saul accompanying him; or rather from the slaughter of the Philistines at some other time, the singular being put for the plural; since, according to the order of the history, this seems to be done after David was brought to court, and had been made a captain, and had been sent out on military expeditions, and had been successful therein, and from one of which he now returned:
that the women came out of all the cities of Israel; through which they passed:
singing and dancing; as were usual after great victories obtained, and deliverances wrought, the female sex being generally greatly affected with such things; since when things go otherwise they suffer much, and their fears rise high in time of battle; and when victory goes on their side, it gives them great joy, and which they used to express in this way:
to meet King Saul; the commander-in-chief, with his other officers, and David among the rest:
with tabrets, with joy, and with instruments of music; with pipes or flutes, which they both blew with their mouths, and played on with their hands, and other musical instruments exciting joy; the last word is, by the Targum, rendered,"with cymbals;''and so the Septuagint version; it signifies a musical instrument of three cords, according to Kimchi; and others, as Ben Gersom, understand it of principal songs, in which things wonderful, excellent, and honourable, were spoken of: see Exodus 15:20. Such sort of women were among the Romans called Cymballatriae and Tympanistriae (t), who shook the cymbals, and beat upon tabrets and drums at times of rejoicing.
(t) Vid. Pignorium de Servis, p. 166, 174.