(4-5) Cunning works . . . in gold, and in silver, and in brass, and in cutting of stones
. . .--It is a characteristic of early art that it eschews specialism, and it is as nearly universal as possible. Theodore of Samos (ab. B.C. 600-560) was an architect, a worker in bronze, and an engraver of hard stones. Michael Angelo was an architect, painter, and sculptor. Giotto was the same, and also a worker in mosaic. It is some time before, in each particular people or country, the imitative arts become separated, and each artist aspires to eminence in one branch only. (Comp. the multiform artistic powers ascribed to Hiram of Tyre in chap. 214.)
In cutting of stones, to set them--i.e., in gem-engraving. This branch of art was needed for engraving the names of the tribes upon the two onyxes of the ephod (Exodus 28:9), and upon the twelve precious stones of the breastplate (Exodus 28:17-18). It was an art very early practised both in Chaldaea and in Egypt. (See Note 2 on Exodus 28:8.)
In carving of timber.--Rather, cutting of timber. The woodwork of the sanctuary was not "carved," but plain.
Verses 4, 5. - The result of these gifts would be to enable him - 1. To devise cunning works - i.e., to design everything excellently; and 2. To work in allmanner ofworkmanship - i.e., to carry out his designs with success. It has been said that "as everything that had to be done was prescribed in strict and precise detail, there was to be no exercise of original powers of invention nor of taste" (Cook); but this was scarcely so. The forms of the cherubim, the patterns to be woven into the stuffs, or embroidered on them, the shapes of the vessels, of the capitals of the pillars, and of the laver were not prescribed in the directions. Bezaleel and Aholiab would have had to design them after such a description as Moses could give of the "pattern" which he had seen in the mount. In doing this, there would be much room for the exercise of inventive power and taste.
31:1-11 The Israelites, who had been masons and bricklayers in Egypt, were not qualified for curious workmanship; but the Spirit who gave the apostles utterance in divers tongues, miraculously gave Bezaleel and Aholiab the skill that was wanting. The honour which comes from God, is always attended with a work to be done; to be employed for God is high honour. Those whom God calls to any service, he will find or make fit for it. The Lord gives different gifts to different persons; let each mind his proper work, diligently remembering that whatever wisdom any one possesses, the Lord put it in the heart, to do his commandments.
To devise cunning works,.... To invent, contrive, and draw patterns, for the weavers particularly, for the making of the curtains of the tabernacle, the vail of the most holy place, the ephod, and the curious girdle of it, which were made of cunning work, curiously wrought by the weaver; and so Jarchi interprets this of the weaving of the work of Chosheb, or cunning work, of the devising of cunning works, or of the knowledge of witty inventions, by Wisdom or the Messiah, see Proverbs 8:12.
to work in gold, and in silver, and in brass; for it is not to be supposed there were either goldsmiths or brasiers among the Israelites; only masons and bricklayers, and brickmakers, and such sort of manufacturers; so that Bezaleel had need of immediate wisdom from the Spirit of God, not only to devise curious works in these several things as in others, but to teach men how to work in them, what tools to work with, and how to use them, how to melt these several metals, and into what forms and shapes to put them, and then to polish them; as there were some things in the temple to be made of gold, as the candlestick, others of silver, as the sockets of the tabernacle, and others of brass, as the altar of burnt offering, and its vessels, with other things.
. . .--It is a characteristic of early art that it eschews specialism, and it is as nearly universal as possible. Theodore of Samos (ab. B.C. 600-560) was an architect, a worker in bronze, and an engraver of hard stones. Michael Angelo was an architect, painter, and sculptor. Giotto was the same, and also a worker in mosaic. It is some time before, in each particular people or country, the imitative arts become separated, and each artist aspires to eminence in one branch only. (Comp. the multiform artistic powers ascribed to Hiram of Tyre in chap. 214.)
In cutting of stones, to set them--i.e., in gem-engraving. This branch of art was needed for engraving the names of the tribes upon the two onyxes of the ephod (Exodus 28:9), and upon the twelve precious stones of the breastplate (Exodus 28:17-18). It was an art very early practised both in Chaldaea and in Egypt. (See Note 2 on Exodus 28:8.)
In carving of timber.--Rather, cutting of timber. The woodwork of the sanctuary was not "carved," but plain.
to work in gold, and in silver, and in brass; for it is not to be supposed there were either goldsmiths or brasiers among the Israelites; only masons and bricklayers, and brickmakers, and such sort of manufacturers; so that Bezaleel had need of immediate wisdom from the Spirit of God, not only to devise curious works in these several things as in others, but to teach men how to work in them, what tools to work with, and how to use them, how to melt these several metals, and into what forms and shapes to put them, and then to polish them; as there were some things in the temple to be made of gold, as the candlestick, others of silver, as the sockets of the tabernacle, and others of brass, as the altar of burnt offering, and its vessels, with other things.